Today The Atlantic posted my essay on weird fiction. The essay focuses on the ways in which beauty and humor coincide with the bizarre in this kind of fiction, using my experience coediting The Weird. Among the writers I mention or discuss are Murakami, Leena Krohn, Clive Barker, Thomas Ligotti, Leonora Carrington, Helen Oyeyemi.
Here’s a short excerpt. Please go read the essay and share it if you like it.
The intel begins to takes on an almost luminous quality—hidden linkage and lineage interwoven with literary resonance to reveal a greater, deeper sense of the complexity of the world. Confusions of writer and work become inevitable and can even be clarifying….Yet, I also began to have the sense, fostered in part by the cross-contamination of research, that around the world enclaves that never knew one another—writers who could not have read each other—still had communicated across decades and across vast distances, had stared up at the same shared unfamiliar constellations in the night sky, heard the same unearthly music: a gorgeous choir of unique yet interlocking imaginations and visions and phantoms. At such times, you wonder as both a writer and an editor if you are creating narrative or merely serving as a conduit for what was already there.