“Jeff VanderMeer’s Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it’s a thorough marvel.” –Colson Whitehead
Named one of the most anticipated books of 2017 by The New York Times, The Huffington Post, Book Riot, Publishers Weekly, and more. One of Amazon’s 20 books of the spring.
Film rights acquired by Scott Rudin Productions and Paramount Pictures.
18-city book tour (late April through May)
Release date: April 25 from MCD/Farrar, Straus and Giroux
“Supremely literary, distinctly unusual.” –Kirkus Reviews (starred review)
“VanderMeer, author of the acclaimed Southern Reach trilogy, has made a career out of eluding genre classifications, and with Borne he essentially invents a new one . . . Reading like a dispatch from a world lodged somewhere between science fiction, myth, and a video game, the textures of Borne shift as freely as those of the titular whatsit. What’s even more remarkable is the reservoirs of feeling that VanderMeer is able to tap into . . . resulting in something more than just weird fiction: weird literature.” –Publishers Weekly (starred review)
In Borne, a young woman named Rachel survives as a scavenger in a ruined city half destroyed by drought and conflict. The city is dangerous, littered with discarded experiments from the Company?a biotech firm now derelict?and punished by the unpredictable predations of a giant bear. Rachel ekes out an existence in the shelter of a run-down sanctuary she shares with her partner, Wick, who deals his own homegrown psychoactive biotech.
One day, Rachel finds Borne during a scavenging mission and takes him home. Borne as salvage is little more than a green lump?plant or animal??but exudes a strange charisma. Borne reminds Rachel of the marine life from the island nation of her birth, now lost to rising seas. There is an attachment she resents: in this world any weakness can kill you. Yet, against her instincts?and definitely against Wick’s wishes?Rachel keeps Borne. She cannot help herself. Borne, learning to speak, learning about the world, is fun to be with, and in a world so broken that innocence is a precious thing. For Borne makes Rachel see beauty in the desolation around her. She begins to feel a protectiveness she can ill afford.
“He was born, but I had borne him.”
But as Borne grows, he begins to threaten the balance of power in the city and to put the security of her sanctuary with Wick at risk. For the Company, it seems, may not be truly dead, and new enemies are creeping in. What Borne will lay bare to Rachel as he changes is how precarious her existence has been, and how dependent on subterfuge and secrets. In the aftermath, nothing may ever be the same.