Vintage Science Fiction Readings #6–“But That’s Not Science Fiction”

Ann and I are now in the process of reading for The Big Book of Science Fiction for Vintage, which will appear in 2016. This huge anthology of well over 500,000 words will collect the best and most unusual SF stories from approximately 1900 to 2000. This requires a lot of reading and research. Every so often I will report back in an ad hoc way about current reading related to the anthology. I don’t claim these are systematic reports.

The following excerpt is from Judith Merril’s introduction to George P. Elliott’s “Among the Dangs,” published in the Merril-edited The Year’s Best S-F, 7th Annual Edition, published in 1963. “Among the Dangs” was first published in Esquire.

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But that’s not science fiction…!

Even my best friends [to invert a paraphrase] keep telling me: That’s not science fiction!

Sometimes they mean it couldn’t be s-f, because it’s good. Sometimes it couldn’t be because it’s not about spaceships or time machines. (Religion or politics or psychology isn’t science fiction—is it?) Sometimes (because some of my best friends are s-f fans they mean it’s not really science fiction—just fantasy or satire or something like that.

On the whole, I think I am very patient. I generally manage to explain again, just a little wearily, what the “S-F” in the title of this book means, and what science fiction is, and why the one contains the other, without being constrained by it. But it does strain my patience when the exclamation is compounded to mean, “Surely you don’t mean to use that in ‘S-F’? That’s not science fiction!”—about a first-rate piece of the honest thing.

For some reason, this comes most often from other editors—and most irritatingly from the editor who first bought and published the story in question, and does not want to think that he printed that kind of story. But the ultimate frustration is to hear the same thing from the editor who is publishing me

[It is hard not to add commentary here, since Ann and I have experienced the same frustration. What the tribalism of genre usually results in is invisibility for some authors and an incomplete understanding of the amazing constellations of fictions that make up the entire SF and fantasy universe. What it does, too, is wear down those editors and writers who try to breach these boundaries, who want to present the complete picture. I’ve rarely read such an evocative description of the frustration inherent in dealing this issue. – JV]

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Leena Krohn Omnibus: Call for Nonfiction

Cheeky Frawg Books is publishing a hardcover Leena Krohn Omnibus consisting of several of her short novels and some short stories.  The publication date is December of this year.

We would also like to publish some nonfiction essays, articles, or appreciations of Krohn’s work in the omnibus. We have no particular length restrictions and reprints are, of course, fine. Academic pieces are fine as are those intended for a more general audience. We have some limited ability to translate into English from various languages and to take some original pieces as well.

Our deadline for receiving materials is April 30, although the earlier the better. We must receive queries prior to April 1. Please provide a description of what you propose with credentials, or an attachment of the piece in question. We have no particular length or format requirements. We can provide more payment details on request.

Krohn is an iconic Finnish writer and we hope in this omnibus to do justice to her fiction. It should go without saying, but we expect anyone who queries to already be very familiar with Krohn’s work.

You can send me email about this project to: vanderworld at hotmail.com. Please note that I am traveling intermittently from February 20 to March 8 and may not answer all email immediately.

 

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Vintage Science Fiction Readings #5–1971-1975, Presented Without Comment

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Ann and I are now in the process of reading for The Big Book of Science Fiction for Vintage, which will appear in 2016. This huge anthology of well over 500,000 words will collect the best and most unusual SF stories from approximately 1900 to 2000. This requires a lot of reading and research. Every so often I will report back in an ad hoc way about current reading related to the anthology. I don’t claim these are systematic reports.

“The dead astronaut: The phrase is filled with anxiety, the words themselves evoking the tension and anguish, the words themselves evoking the tension and anguish that gripped the whole world in that fateful month of April 1970, when a technical malfunction came close to costing the lives of astronauts Lovell, Swigert and Haise…All but one of the stories in this book were originally published before anyone set foot on the moon. And yet these stories foretold the perils of space travel, often with uncanny accuracy and curiously precise detail.

“A case in point is ‘Here Comes John Henry,’ [by Ray Russell] the protagonist of which is a black astronaut. The story was written in 1967, just a week or two before the announcement of the first real-life black astronaut, Major Robert Lawrence (since deceased). That appointment compelled the editors to delay publication of the story for over a year, to help dispel any erroneous assumptions that the fictional astronaut was based, even remotely, on Major Lawrence.” – from the introduction to the Playboy anthology The Dead Astronaut, published 1971

“Some of the ideological declarations that have been made concerning the New Wave have been as meaningless as they have been asinine. Proponents of so-called traditional science fiction have declared that the New Wave does not exist, while out of the other sides of their mouths attacking this supposedly nonexistent phenomenon as nihilistic, anti-rational, involuted, and a threat to the special virtues that supposedly distinguish science fiction from the ‘mainstream.’ For their part, some of the writers and critics who have become associated with the label New Wave…have expended a great deal of energy in attempting to substitute the label ‘speculative fiction’ for the label ‘science fiction’ when classifying their own product.” – from Norman Spinrad’s introduction to The New Tomorrows, described on the first page as “a predestined collision of fifteen first-rate stories of somewhat scientific speculative fiction”, published 1971

“[In The Mirror of Infinity anthology,] James Blish, that most erudite and academic of sf authors, can be discovered mourning the loss of the stringent plotting demands of the extinct pulps, and giving a little succinct advice about the art which gave rise to Lester Dent’s Master Plot Formula (an invaluable work, to be found on the shelves of all those much loved and sadly departed masters of interplanetary adventure). Who would remember Whip Queens of the Scarlet Asteroid, Mr. Blish implies, if that narrative of courage in extremity had not been founded on a ‘sympathetic character with whom the reader can identify’?…[followed by discussions of types of sympathy, bad and good in the writer’s estimation and reviews of novels by Blish and Jack Story, which leads to…] If the genre as a whole imagines that it has somehow become worthwhile [because of mainstream attention], that its relationship to real life has been consummated, because a few men have walked on the moon, then it had better stop and think. Because until…the Master Plot Formula and Mr. Blish’s ‘sympathetic viewpoint character’ are replaced by a little observation of reality and human understanding, it will never become relevant to anything.” – from M. John Harrison’s essay “The Problem of Sympathy” in New Worlds Quarterly #4, published 1972

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Amsterdam: VanderMeer Events at the Sonic Acts Festival and American Book Center

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I’ll be in Amsterdam the end of this month, where my Dutch publisher is releasing their edition of Authority, the second novel in my Southern Reach Trilogy. My two events are listed below–hope to see some of you there! Should be fun!

Friday, Feb. 27, 6pmAmerican Book Center, ABC Treehouse (Voetboogstraat 11 1012 XK). I’ll give a brief reading from the Southern Reach (what I call my “vegetation medley” and then be joined by Hugo Award-winning editor Ann VanderMeer and Dutch sensation Thomas Olde Heuvelt for a wide-ranging discussion, followed by a book signing.

Saturday, Feb. 28, 2pm–Sonic Acts Geologic Imagination Festival (Paradiso main halllocation; see info here). I will read from the Southern Reach and take questions, but I will also present some thoughts  on relevant and outdated approaches in fiction related to ecology and the environment. “In this modern era, what constitutes escapism or commodification in near-future fiction, what are old ideas in new clothes, and what is truly revolutionary? How can the philosophy behind new ways of looking at the world inform fiction?”

Books will be available at both events. Click on links for any ticket information.

Vintage Science Fiction Readings #4: Talk to the Hand

Ann and I are now in the process of reading for The Big Book of Science Fiction for Vintage, which will appear in 2016. This huge anthology of well over 500,000 words will collect the best and most unusual SF stories from approximately 1900 to 2000. This requires a lot of reading and research. Every so often I will report back about current reading and conversations about the anthology.

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Also from the past week.

“That was a movie, not a short story.”

“That was written in 1834.”

“That wasn’t an alien. That was not an alien.”

“Because there was no internet, he got away with it–look at the copyright page.”

“That was it? That’s all that happened?!?!!”

 

Science Friday and The Lost City of Z: Further Thoughts

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I was thrilled to be on Science Friday today along with host Ira Flatow, producer Annie Minoff, and space archaeologist Sarah Parcak. We were talking about the current SciFri Book Club selection The Lost City of Z by David Grann and you can listen to the show here.

I’m glad they’ve devoted several segments to The Lost City of Z over the past weeks as the book is too complex and too wide and deep for a single discussion. It details the Amazon expeditions of Percy Fawcett, one of the last Victorian explorers. The book also describes the author’s own attempt to retrace the footsteps of Fawcett, who disappeared during his last expedition in 1925. Grann also fills in the time between, during which many people went into the jungle trying to find Fawcett. Some of them could be termed professionals — professional explorers or scientists — but many were amateurs. And many of them died or disappeared in the attempt.

The ending of The City of Z turns much of the testament to human eccentricity present in the book’s first half into something profound and haunting. It is not so much a twist as a different way of seeing the landscape, and a commentary on something you see so often with early European explorers and even later anthropologists or archaeologists: the evidence is right there but they can’t see it. Either from lack of tech or lack of imagination or pre-set cultural expectations. Or through bad luck. So the book builds and builds until what’s absurd takes on a kind of quietly luminescent quality. It really is a classic.

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Vintage Science Fiction Readings #3: Please Let There Be a F*cking Spaceship in This Story

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Ann and I are now in the process of reading for The Big Book of Science Fiction for Vintage, which will appear in 2016. This huge anthology of well over 500,000 words will collect the best and most unusual SF stories from approximately 1900 to 2000. This requires a lot of reading and research. Every so often I will report back about current reading, although not in any systematic way. In fact, almost deliberately not in a systematic way.

When you read for a big anthology, you become a little obsessed with being complete in tracking down “the good stuff.” The definition of “the good stuff” varies for every editor, but for us it tends to be international fiction, fiction that falls between the cracks of “mainstream” and “genre,” and choices that don’t come from the expected sources. That search is, of course, in the context of re-evaluating the classics in a category, in this case science fiction, and anchoring the anthology with the Usual Suspects who are indeed the Usual Suspects because their fiction is excellent.

The search for the good stuff doesn’t always lead to what you’re looking for, even if it often leads you to something great. Take these three anthologies: The Big Aiiieeee!: An Anthology of Chinese American and Japanese American Literature, Surrealist Subversions: Rants, Writings & Images by the Surrealist Movement in the United States, and Modanizumu: Modernist Fiction From Japan, 1913-1938. I spent a fair amount of my time last week reading just about every bit of fiction and nonfiction in these books, all the while thinking to myself “Please for the love of God, let there be a fucking spaceship in one of these stories.” Just a little spaceship, nothing spectacular. Just a hint of something extraterrestrial going on, maybe. Anything that will give me an excuse to bring it to Ann for further investigation.

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Wonderbook Workshop at the Yale Writers’ Conference This Summer

This summer, Ann and I will teach a Wonderbook workshop at the Yale Writers’ Conference (Faculty Session II). Ostensibly it’s for science fiction and fantasy, but really just literature of the imagination in general. In other words, even if you have a manuscript that’s not fantastical in some way, we wouldn’t mind seeing you there. The manuscript is only one component in our unique approach.

The workshop will use writing exercises, lecture, and discussion. Critique will largely occur before the sessions and any manuscript analysis be conducted in the one-on-one sessions after each morning session. During the workshop, you will use your manuscript as the catalyst or jumping off point for some of the exercises. The process will give you new insight into characterization, structure, and scenes–in the context of your own work.

Participants will need to acquire Wonderbook and will need to be willing to write longhand in class. You’ll also have access to materials and images that weren’t included in Wonderbook. And we’ll field any and all writing questions the last day and in one-on-one sessions.

If you’re not familiar with Wonderbook, it’s the world’s first fully illustrated creative writing guide–you can find out more at the web site.

Together, Ann VanderMeer and I have over 60 years of teaching experience. We believe strongly in understanding what you’re trying to do with your writing and helping you achieve what you want to achieve. (Rather than pushing one particular approach.) You’ll also have my view as a writer and Ann’s as an award-winning editor. And, it’s fun!

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No Super Bowl? 9 Books to Read

Now that I’ve got your attention…here’s the link to that feature, which includes Annihilation but also a bunch of really fascinating titles, some of which I haven’t read. Also some nice design featured.

Even if you are watching the Super Bowl, you could do worse than spend half-time listening to NPR’s To The Best of Our Knowledge, which today featured stellar interviews with Sofia Samatar, Nnedi Okorafor, Lauren Beukes, and Claudia Rankine, and more. In their last hour, they re-ran this feature on weird fiction, which includes an interview about the Southern Reach novels.

Nnedi talked more about her novel Lagoon in this LA Times piece I wrote last year, about autobiography in SF/Fantasy. Also featuring Lauren Beukes.

If none of that floats your boat, I strongly suggest you check out Broad City, which is available on Cable on-demand. An amazing, hilarious show that’s kind of what Girls could’ve been, with more zany.

Southern Reach Trilogy

Vintage Science Fiction Readings #2: What Did 1980 Mean?

Ann and I are now in the process of reading for The Big Book of Science Fiction for Vintage, which will appear in 2016. This huge anthology of well over 500,000 words will collect the best and most unusual SF stories from approximately 1900 to 2000. This requires a lot of reading and research. Every so often I will report back about current reading, although not in any systematic way. In fact, almost deliberately not in a systematic way.

In this case, all quotes are from Nebula Award Stories 16, edited by Jerry Pournelle, published in 1982.

Stories included, all from 1980:

“Grotto of the Dancing Deer” by Clifford D. Simak; “Ginungagap” by Michael Swanwick; “The Unicorn Tapestry” by Suzy McKee Charnas; “Rautavaara’s Case” by Philip K. Dick; “The Ugly Chickens” by Howard Waldrop; “Secrets of the Heart” by Charles L. Grant.

[Nebula Awards ballot for 1980 stories and novels.]


From Jerry Pournelle’s introduction:

2298957“Campbell groomed a lot of writers…It was a traditional route, and it worked, but it depended, more than we knew, on editors like Campbell and Gold. But now it’s 1981, and Mr. Campbell is dead and Horace Gold has retired; and no one has come forward to replace them. Maybe no one can…But for whatever reason, there are few magazine editors working closely with new writers. One exception to that rule is my editorial assistant, John Carr….He doesn’t get to work with very many new writers, because we don’t buy many original stories [for our other anthologies]; but more than once we’ve received stories that aren’t good enough to publish—one was plain awful—but which show unmistakable signs of talent. They must be rejected, of course, but I’ve watched John Carr write nine-page encouraging letters. One result of John’s editorial work was that a writer got a cover illustration for his first published story. I wish that could happen more often; but we can’t do it, and not many others seem to be interested in trying.”

“This is a strange field. I’m editing the Nebula Awards volume, and there’s almost no chance that I’ll ever win a Nebula. There’s a fair chance that when I’m old and gray they’ll vote me a Grand Master, but I doubt I’ll ever write a story that wins.”

“It’s traditional for the Nebula editor to write about science fiction as literature, but I can’t do that. I don’t know much about literature.”

“Alas, it didn’t take long for the [Nebula] awards to become ‘controversial.’ There were accusations of lobbying and vote-swapping. Writers were accused of voting without reading all the contenders; other writers were castigated because they never voted at all. Each year’s Nebula Awards Ceremony saw one or another writer walk out in disagreement with the rules. Each year’s annual meeting saw introduced a resolution abolishing the awards.” [in a context of believing the awards have gone to “very good” stories]

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