My essay “The Art of the Literary Fake (with violin)” is now online at the New Haven Review’s website. At over 9,000 words it’s my longest essay since I wrote about Angela Carter almost 20 years ago. I’m appreciative of the opportunity, courtesy of Brian Slattery, and I hope you enjoy the results. The essay references everything from mad penguin researchers to capybaras, bizarre crayfish dictionaries to Nabokov.
“Play isn’t academically rigorous, can’t be easily quantified, and suggests a border that criticism cannot cross. The Quintus Erectus that lies peacefully in the morgue, awaiting dissection, suddenly slips through our fingers when we produce the scalpel, and then reappears, grinning at us mysteriously from a chair across the room. It’s as if a mischievous but highly intelligent ghost haunts the text. To speak of a ghost directly, and especially an unpredictable ghost, is to be seen as childish or superstitious, even though we are all childish and superstitious.”