Another amazingly excellent tell-all post from Kristine Kathryn Rusch, on time usage and what time means to a writer who lives off of their writing. Rusch has also added a donation button, and I hope if you visit you will donate something, because this is invaluable information.
A side benefit of such a post for writers who don’t live off of their writing to determine whether they’re the personality type who can exist and thrive within that paradigm. For me, too, I have to be working on projects I love and/or projects that challenge me from a technical perspective.
I used to have a day job and now live off of my fiction, nonfiction, and teaching gigs. I’ve seen both sides of this, and I prefer the full-time freelancing. It allows me to be most fully what I was always meant to be, a writer, without pretense of being anything else.
The real key for me is carving out the time for the most personal projects, and to understand that concentrated time can be as powerful as time spread out over years. A constant frustration in finishing my last novel, Shriek: An Afterword, was having to start and stop on it because the day job took up so much of my time. But, again, this is a personal decision for each writer–do I strive to eventually live off of the writing or do I use a day job as an anchor? Which kind of personality am I? Which approach is going to guarantee I reach my full potential in my personal creativity. In my case, I really felt like a spy or mimic for all those years I had a day job. I was undercover the whole time.
Here are a few snippets from Rusch’s post. Rusch indicates that her freelancing posts will eventually be collected in a book, maybe in a year or two. I hope so, because it’ll be possibly the most honest and detailed look at being a freelancer possible. Because it’s easy to make general pronouncements about being a freelancer, or about any aspect of writing. But if you are able to provide specific detail like Rusch does…that’s not just much harder to do, it’s also much more valuable.