
We’re into that space of time between which review copies go out for Finch, my new novel, and the actual publication of same on November 1st. There will definitely be a big book release party at World Fantasy in San Jose, which will kick off my six-week, two-coast tour (also behind Booklife).
Into this space enters the inevitable outliers, as those who have glimpsed an advance copy for various reasons blog about it.
- J.M. McDermott notes the layering in of the details of a failed state.
- David Moles comments on the novel as a noir mystery and also how it further expands on the theme of colonization and attempted genocide.
- Paul Jessup gushes about the Boschian influence and the devouring of genre.
- Jeffrey Thomas points to how the novel effectively answers questions raised by the first two books in the Ambergris cycle, notices that, although multi-layered, Finch is fast-paced–as well as the multi-faceted nature of the characters.
But my favorite quote is from another writer who emailed me and said, “Fucking awesome, man. Laughter like dogs being strangled (Yeah, thanks–I can actually hear that sound in my head now), the skery (very witty, that), the grey cap guns (should he have been feeding it?)… I think it’s safe to say you’ve stocked my nightmare image cupboard for about the next seven years. But there are some lovely moments of quiet emotional acuity as well.”
Also, more blurbs, including this one from Stephen R. Donaldson: “I can’t remember ever reading a book like Finch. Audacious in technique, and extravagent in imagination, it has the rare quality of making the macabre poignant. In the midst of a disturbed and disturbing narrative landscape, Jeff VanderMeer gives us deeply sympathetic characters–especially Finch himself–who inspire us to care about their flawed and tyrannized world. I’m impressed.”
And now, since you’ve sat through all of that, here’s another short excerpt. Buy early. Buy often. Buy while there’s still money. And electricity.
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