Writer: Ben Thomas
Weird Tales Story: The Man with the Myriad Scars (Issue #TBD 2008)
Writer Bio: Ben Thomas is the author of dozens of short stories, four screenplays, and a forthcoming novel; he’s also the lead editor of The Willows Magazine . At Literacity, he muses about counterculture and writing in a semi-coherent manner.
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For a guy who loves to be horrified, I loathe the horror genre. I hate the conceptual box in which it’s locked itself, and I’m tired of watching films whose directors seem to think the way to my heart is through my gag reflex. And I’m sick to death of the typical horror fan’s defense: “It’s all in the terminology!” That isn’t true, because a ghost is still a ghost, and mentioning one in intelligent company these days will frequently provoke smirks. But I wanted to know why, and how, and when this had befallen my beloved tales of fright. So I sat down to think it over.
It wasn’t always this way, I knew. Shakespeare wrote of ghosts, but no one considers Macbeth or Hamlet a “horror play.” True, the Bard was writing in the infancy of the Enlightenment, and supernatural elements would hardly have stood out. But even that fact begs another question: why were witches and ghosts still “mainstream,” so to speak, in those days? To put more of a point on it, why weren’t stories including ghosts shoehorned into a separate genre (or genres) of their own, as they are today?
For the answer, I had to look to history. This next bit may seem like a rehash of facts you already know, dear reader, but please be patient and let the rest of the class learn.
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