A short essay of mine on Clarkesworld that might be of interest. It includes two lists as well–a list of books for genre readers to check out and a list of books for mainstream literary readers to check out.
In most cases using this kind of language leads to a bemoaning of the lack of acceptance by the “literary mainstream.” It also leads to a certain resentment on the part of “genre” writers, especially centered on the idea that some “mainstream” writers get away with writing “genre” books. We’ve seen this attitude a lot lately–focused on writers like Margaret Atwood for her Oryx & Crake, Jeanette Winterson for The Stone Gods, Cormac McCarthy to lesser extent for The Road, and even the work of Jonathan Lethem in a general way, once accused of abandoning his “genre” roots. The negative attitudes toward these books and authors have three layers or premises: (1) that it is somehow inherently wrong and rude for these writers to write in what is so clearly a “genre” milieu (without asking first?), (2) that these authors’ clichÃƒÂ© comments disavowing their books as “Science Fiction” or “Fantasy” somehow reflect negatively on the quality of the actual texts, and (3) that these forays into forbidden territory are written with no regard for or knowledge of “genre” predecessors.